Hermann's Corner - Destiny's Children(Fall Of The Queen)

 

A: Hey Hermann, what's up?

H: 2 sheep, 2 chickens, 2 wild boars...

A: You what? You're into the Ark-building business now?

H: No Anders.. breakfast!

A: Ah.. I should have known.. As fascinating that is Hermann, I think what people really want to hear is if you have an interesting band for us today.

H: Indeed I have.. As I went on to hide from the prosecu..(couching)..sorry.. went on for a walkabout through the South American jungle I stumbled upon a group of natives living in the most primitive way you could imagine. They would tell the tales of a group such obscure that they were barely heard of in the western civilization.. They were called The Destiny's Children.

A: But there were two Destiny's Children wasn't there? Both brilliant groups though.

H: You're right about that Anders.. One of them were from Phoenix, Arizona and released a killer single For Me/The Collectors in 1966. This is a brilliant 2-sider.
However the Destiny's Children I want to talk about is the group from Pasadena, Texas who released the single "Your First Time" in 1966 on the Ventrual(V-730) label, having "Fall Of The Queen" as the b-side.

As you can see on the label J. McClain and P. Wade are credited as songwriters. If you have any knowledge about these guys(those names might be pseudonyms though), I'd be very thankful if anybody that might knew who they where got in touch. As I Hermann don't want to give away my current location, a comment on the article or a mail to Anders(anders543210(at)gmail.com) would be great.

Regarding the a-side "Your First Time", the song was written by the producer of the session, Huey P. Meaux of Crazy Cajun Music.

That's about all the info there is about "Fall Of The Queen" so far, except that the song was first time re-released on the Sixties Rebellion #2 compilation as late as 1993. The a-side "Your First Time" seem to be even more obscure regarding garage compilations and reissues, and I have to admit I've never got to hear before. The single is not even listed as sold on E-bay through Popsike, where even ridiculous rare singles like The Keggs or The Starfyres are presented with a few sales.

Ad from the 29'th of June 1966.

Not much facts here.. This is not an easy group to research, as it seems nobody knows too much about them except about their release.
 
"Fall Of The Queen" is as punk rock as gets. The drumming is basic pounding on the drum-skins, followed by a bass picking the simplest line possible. There's the obligatory organ too, making "96 tears" sound like a Led Zeppelin jam. The intro and the bridges have single-note guitar picking. The verses have a Louie Louie simplicity, while on the chorus the guitar just let simple chords ring for a while before changing slowly to the next chord. 

A Neanderthal would shrug his shoulders to how primitive this music is. But I'm in the opinion that the simplest is often the best. What's most apparent however is the aggressive vocals who are overpowering the song, with shouting out the very simple but powerful lyrics.

The vocalist sound like he has been eating Keith Richards for breakfast.
The lyrics describes - wait for it... - a relationship that have gone bad. The strong words describes the girlfriend as the queen, who have been found out of(as no good), kind of like in the emperors new clothes. The angry boyfriend tells her to go home and cry, because he don't care about seeing her anymore, as he's fed up with her. Classic adolescent rage.


Oh look
Your crown is broken
So see
You're not so big

Queen
Of all you saw
Time 
Has called your
Time has called your fall


Go Home
Cry your eyes out
Your time
Have gone

Queen
Each must obey
Must
Do what you
Do what you say

Oh yeah girl

Cry by yourself now

Well I'm glad
Your reign is over
So now
I can go home

Queen
Your jewels are glass
You
Have failed
You have failed at last

Cry Girl
Cry by yourself now
You're all alone
Nobody cares
  

Destiny's Children discography:

Your First Time / Fall Of The Queen (1966), Ventural V-730


Reissues("Fall Of The Queen") : 
Sixties Rebellion #2 (LP), Way Back MMLP 6607 (1993)
Sixties Rebellion (CD), Music Maniac MMCD 66006 (1993)
Teenage Shutdown #10 The World Ain't Round, It's Square! (CD & LP), TS-6610 (1998)
Gravel #2 (CD), Kumquat May KMGR 00002 (2005)

Hermann's Corner - Dance music

 

A: Hey Hermann, how are you?

H: Very well, thanks Anders. I'm going to a dance tonight!

A: Nice! So you are to have with you a date then I presume?

H: Yes I do! She's called Bettie! Bettie Page!!

A: Yeah right! Perhaps with the help of chloroform and duck tape.

H: Well.... <coughs> Anyway I have my best uniform pressed and my finest shoes polished.

A: You're quite a fashion slave ain't you?

H: Well, my former boss was quite dedicated in terms of fashion, so I guess it grew on me.

A: Grew on you.. you can say that twice.

H: Hold on..

<Hermann takes a zip of a huge glass having an umbrella close to full size in it>

H: You wanna hear what songs we'll be twisting and shaking to at the Palomba Ballroom?

A: I'd love to!!

H: Well here goes..

Some of the wildest dancers came from the so called dead years of rock'n roll(1959-1962) up to around 1965 in USA. In the period of 1959-1962 rock music hardly made the charts in the US, at least compared to the years before and after. Elvis who had shaked his hips from the mid 50's came back from the army as a tamed lion, Chuck Berry was in jail and Jerry Lee Lewis lost popularity due to other than musical reasons. They were replaced in the charts by Johnny Horton, Bobby Darin, Bobby Vinton and so on.. Times were different in the UK too where Buddy Holly had enjoyed some good chart-time, but he would sadly die in a plane crash in early 1959. In 1963 the tides would change back again in USA as The Beach Boys would have a smash hit with Surfin' U.S.A. and The Ronettes with "Be My Baby", while the Beatles would follow up the next year.



Compare the top 100 of 1961 to today and you would find 1961 to be flooded with rockers in comparison. Although to say that rock are dead today would be a bold statement. Especially within the 60's revival genre there are a lot of promise, but the best rockers are somewhat hidden underground.. Good rockers you have to search for, as they are not served in your lap as they used to be in the 60's, unless of course you have access to some cool "retro" student radio-stations or garage-influenced fanzines. I believe there are many similarities between the now and 1959-1962 as there are some very cool rockers that exists, but they're all well under the commercial radar.


Looking behind the hits for 1959-1962 however, some fine music would be released. To mention a few: Jack Hammer("The Wiggle", "Wiggling Fool"), The Wailers("Tall Cool One", "The Fabulous Wailers" lp), The Moontrekkers("Night Of The Vampire"), Jody Reynholds & The Storms("Thunder", "Black Tarantula").. I could go on, but the finest years for rockers that could compete in out-twisting Little Richards(Not to forget his killer backing band, The Upsetters) did mainly come a few years later(Except perhaps The Wailers).

The rockabilly mania had not been laid to dead completely in the 60's even if the charts could suggest so. The style was hardly commercial anymore, but a few artists wouldn't care about such and would swear to the basics of rockabilly, although adding an extra fierce approach. Some of the best(and wildest) would have to be Hasil Adkins, Morty Shann & The Morticans and The Phantom("Love Me").



As a side note(but a very important one) Bill Rose's "The Stripper" would have good success in 1962 creating a minor boom for strip-related(basically music that you could picture Bettie Page dancing to) songs. And thus would help to influence some very interesting music like The Genteels' "Take It Off" that same year. Later around 1964 some very fun songs would apply to the sleazy gimmick like The Hollywood Hurricanes("Beaver Shot") and James "Red" Holloway("Ala Carte"). I would also recommend you to check out The Jesters who did an excellent cover of the "Peter Gunn Theme" called "Peter Gunn Twist" having some of the fiercest organ pounding I've ever heard. And of course anything with Bob Vidone(who I will try to come back to later) with or without The Rhythm Rockers.

If you want the wildest rockers you have to mainly look to the years 1964-1965, as the combination of rhythm & blues, punk and the outlawness of rockabilly would become an explosive one. No matter influences from styles, one thing was for sure.. You could never underestimate the influence of The Thrashmen's Surfin' Bird.. the wackiest hit ever produced.

Mad Mike & The Maniacs - The Hunch(1961)

Mad Mike & The Maniacs couldn't have chosen a better name. Only one single - a very obscure one, until it's revival on 80's garage compilation records - would ever be released. To be honest I don't know much more about this band other than that they were located in New York City, probably on Long Island.
The single was released on the unlikely year of 1961, seemingly out of nowhere. It's really hard to compare this song to anything, except to perhaps some of the craziest garage-songs appearing half a decade later. If anything it's a mental take on "The Twist" with a noise-level on par with the craziest material from Velvet Underground, but totally stripped of any progressive approach. The song's tight sound punches you right in your gut and never let's go, while the melody feels like it's leaning on 1 entire chord.
Have a listen!

The b-side "Quarter To Four" is an excellent surf instrumental with occasional shouting and noises, followed by a brilliant, screaming, dirty sax. A very cool song worth checking out if you can find it.

"Quarter To Four - HUNCH 345 - Rocking instrumental side with standout sax solo work and an infectious hard-driving tempo that builds. It's patterned much on the idea of the current "Quarter To Three" but without a vocal".

Mad Mike & The Maniacs discography:

The Hunch / Quarter To Four (1961), Hunch 345


Reissues("The Hunch") : 
Scum Of The Earth #1 (1984)
Limited Edition Oldies, Leo 504
The Big Itch #3
Sin Alley Volume 3, Crypt Records CB-1958

(There's a bus-load of re-issues of this song both as a repro single or as part of a compilation, so this list is by no means complete)

The Novas - The Crusher(1964)

Next up is a band which were located in Edina, Minnesota(Often listed as being from Minneapolis, but I believe Edina(just outside of Minnesota) is correct) called The Novas. Lead singer Bob Nolan is in this song describing a dance named The Crusher, which is basically the wrestling moves to wrestler Reggie "Crusher" Lisowski, commonly known as "The Crusher". His trademark yell can be heard throughout the song. 
The vocals are the standout as they're crude and aggressive to sound like the original wrestler. But the backing is doing a great job in creating a full and heavy blues-beat that work great for dancing or to nod your head aimless. 

This song made it as far as #88 on the national Billboard chart, and went to for example #6 in Chicago. This was helped much by radio-time from Minnesota stations like KDWB and WDGY.
Here.. have a listen.
 

A: So any chance you can teach me how the dance is like?

H: It's easy! Listen closely, here's the moves:

Do the hammerlock
Do the eye-gouge
Do the Crusher
Take your fist and put it on your waist
Do the Crusher



The b-side "Take 7" is a straightforward instrumental surf tune. A very good one, though I would imagine it was intended as a typical b-side filler.

The Novas discography:

The Crusher / Take 7 (1964)
Parrot PAR 45005V, USA
London Records HLU 9940, UK
London Records DL 20 773, Germany

 
Nova's Coaster / On The Road Again (1965), Twin Town 713 




Reissues ("The Crusher"):

Back From The Grave #2 (1983), Crypt RR 660(on some pressings: CR 002)

and on CD..
Back From The Grave #1 , Crypt CD-0123





Worth checking out.. 
Newer bands have come to embrace this song. And that is no wonder as it's an aggressive but at the same time very fun song. Some very fun covers are done by new bands like The Bucky Rage and Los Explosivos.

 

The Dinks - Nina-Kocka-Nina

The Dinks were located in Beloit, Kansas, and had their first single "Nina-Kocka-Nina released in 1965 on the Sully label.
First impression of this song is that it's quite similar to "Surfin' Bird" in many ways. The lyrics don't mean anything, except the words "english history, biology and chemistry", that's suddenly appearing in between some non-existing phrases. I'm guessing the words is meant as a nod to Sam Cooke's "Wonderful World"("Don't know much about history, don't know much about biology, don't much about science book"). 

Listen to it!

The b-side "Penny A Teardrop" is a quiet song, similar in build to "Louie Louie", having fine vocals complemented by a organ that's dancing through the entire song.



The year after, the single "Kocka-Mow-Mow" was released applying the same formula. A crazy surf-rocker, certainly good for a swing or two.

The Dinks discography:

Nina-Kocka-Nina / Penny A Tear Drop (1965)
Sully 914


Kocka-Mow-Mow / Ugly Girl (1966) 
Sully 925



Reissues("Nina-Kocka-Nina"):

Boulders #6 (1983), MLP 09 
The Madness Invasion (1987), GMG 75026
The Big Itch, Mr. Manicotti Records MM 328

..and on cd:
Midwest Garage Band Series - Kansas (1994), RDK/K-001
Madness Invasion Volume 1 (1992), Eva 842624/EVA B2

The Gamma Goochee Himself - The Gamma Goochee(1965)

 

 

  
A dominating keyboard set's the pace for this addictive song. The lyrics style as you've might have already been accustomed to by now - means nothing at all. The Gamma Gootchee Himself himself sings this with a great growling blues-voice. This is an obvious floor-filler for any occasion.
You know what? I'll stop jabbing about this song right now, and you can instead have a listen to the song, and find out for yourself. After all rock music was never meant to be analysed to death. 

The "Gamma Goochee Himself"'s real name is John Mangiagli. Originally from New York City, but would relocated to LA to start a career recording rockabilly music, before starting with an entirely different style of music. He would have a wealth of aliases from which he would credit a bunch of singles of impressive quality.

John's first single Rock & Roll Guitar / Shake Shake(credited to "Johnny Knight") are a brilliant two sided rockabilly record.

But his second single(credited to "Johnny Donn & Jazz Rockers") would have a quite unique approach, and is well worth to check out. The a-side called "Smog"(Featured on the highly recommended Wowswille compilation record) are a slow, brilliant and especially fun tune of the typical Las Vegas strip style of the early 60's. The b-side "What Happened Last Night" is where r&b meets rockabilly. A fast rocker enjoyable for both dancing and listening.

Discography

As "Johnny Knight":

Rock & Roll Guitar / Shake Shake (1958), Morocco M-1005

 

As "Johnny Donn & Jazz Rockers":

Smog / What Happened Last Night (1959), Crest 1058

As Johnny Marlo:

Everynight / Everlasting Love (195?), Reel 101

Two Ton Annie / Barcia Mi (1959), Reel 102

As Johnny Manjelli:

Five Foot Two(Eyes Of Blue) / What I Feel (1962), Highland 1024
 

As "Johnny Mangelli":

I Ain't Got / I Got It Made (1962), Ava 110

As "The Gamma Goochee Himself":

(You Got) The Gamma Goochee / I'm Gonna Buy Me A Hot Dog (1965)

USA: Colpix CP 786
Netherlands: Colpix CX 42.916
France(as EP): Colpix 8007 M 
Australia: Colpix CP 786


I'm So Glad She's My Little Girl / Sweet Violets (1966), Colpix 804

 

As "Gamma Goochee":

Booga-Loa / Everybody's Somebody's Fool (1967), MGM 13874
  

Re-releases("The Gamma Goochee"):

The Colpix-Dimension Story (1995)

On cd..

Great Googa Mooga (2003), Ace Records, CDCHD 880

Also worth checking out...
You might also want to hear The Kingsmen's(of "Louie Louie" fame) cover of "The Gamma Goochee". A great rocker, although quite similar to the original.

Achh.. That's the Mercedes. I will have to go now if I'm going to make the dance in time. I'll tell you about the rest of the songs when I'm back.. I promise!

A: No problem Hermann. Have fun!

Hermann's Corner - The Dirty Wurds(Why)

A: So Hermann.. I've heard you've been vacating down south for a while now. How is the weather?

H: Thanks for asking Anders, the weather in Rio is sunny as always.

A: Anything new?

H: I'm hungry.

A: Uh.. sure. But Hermann, don't you have a song for for us today?

H: Well how about The Dirty Wurds, and their killer(and I should know what a killer is) a-side "Why". I think you first of all should listen to the song, as this is one of the crudest and most mental song you'll ever hear.

"Why"/"Takin' My Blues Away", 1965

Chicago, Illinois, Marina 502

re-released on: Pebbles #5

The line-up of The Dirty Wurds had a lot of changes in the bass and drums department. On the "Why" single however this was the line-up:

Mick Mackles - Vocals
Justin Pomeroy - Rhytm Guitar
Mike Peterson - Lead Guitar
Jim(James) Savage - Bass
Mark Bringman - Drums

Here's the lyrics.. As you can see nothing special. That was probably why the Dirty Wurds decided to spice things up a little, and made the songwriter(not a member of the band) seem like a mental case, with this neurotic way of singing these rather dull lyrics. Rumours says also that the songwriter was displeased after hearing that his song - thought of being a tender love-ballad - would end up like this. Well, I'm not. This is as good 60's punk as it gets.



Why, baby

(Why) I need your lovin'
(Why) I need you very much
(Why) I need your tender touch
(Why) I love you very much

And I say (why, why, why, why, why)

(Why) I want you near me
(Why) I want you very much
(Why) I wanna have you near me
(Why) I need you very much

And I say (why, why, why, why, why)

You notice that all the time I cry
And baby, I want you near me so I wont cry
So tell me, baby, why won't you come near me
You know I love you, baby, you know I really do

(why, why, why, why, why)

(Why) I need your lovin'
(Why) I need you very much
(Why) I need your tender touch
(Why) I love you very much

And I say (why, why, why, why, why)

Oh baby, I want you near me
Oh, why wont you come back
I wanna know, baby
Why wont you come back to me, baby
Why, why, why, why